EASEL
Blog
From the studio
Notes on how the looks are written, how they were chosen, and what happens when you ask for one thing to change.
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Why it is still your face
The prompt behind every look ends with a clause about the face. It is why a figure modelled in clay still has your nose.
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How we chose the looks
Eleven categories, and a lot of looks that did not make it in. A look gets in only if you can tell it from its neighbour.
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Say what to change
The catalogue is a starting point. The sentence you type afterwards is where most of the good pictures come from.